Posts Tagged ‘Cultural industries’

Attracting and retaining creative talent in medium-sized towns. The strategy in Barnsley, UK

Thursday, November 25th, 2010

barnsley3Attracting and retaining creative talent in Barnsley (partner in the URBACT project Creative Clusters in Low Density Areas) is set against a backdrop of a deprived post-mining economyt, with a small but emerging creative sector. Located inside the triangle Manchester-Sheffield-Leeds, in Northern England, regeneration investment in Barnsley has provided key venues for culture and creative industries locally but these have struggled to attract occupants and audiences and there is a clear need for more focused activity, building on from a current mapping exercise and strengthening this emergent economic sector by understanding its needs and the challenges it faces.

Sector development is already happening, and over the last few years a stronger connectivity across the sector has been helped by social media. This ‘conversation’ has enabled individuals in the sector to connect naturally, and the public sector to ‘tune in’ to what is going on, and contribute where appropriate. Key to this has been creating environments for discourse and allowing free use of this – both cost and restriction free! The sector has been able to stimulate its own informal skill sharing and networking via these platforms.

There is a need to animate the sector if it is to grow stronger and keep talent local. This includes animating the places and spaces that we have built with cultural and sector development focused events such as networking, and encouraging sector led ‘guerilla’ activity across all venues and places as well as programmed activity.

The networking programme gives access to speakers, ideas and spaces that wouldn’t usually be freely available and brings interested parties from outside of the area to experience first hand a positive event and atmosphere. The events also encourage a sense of ownership of the sector and its physical assets, which in turn builds confidence, pride and word of mouth promotion. High profile events developed locally but for a local, regional and national audience are also important – Northern Futures, Small World and Barcamp Barnsley present the town in a positive and proactive way.

To summarise, we are aiming to attract creatives with the animation of our spaces, and our openness to ideas, and retain them with a strong, supportive infrastructure and a sense of ownership. The sector is encouraged to have its own voice, be confident and connected, get on everyone’s radar and be a friend to many. It isn’t about just throwing money at the sector – providing an ecosystem to encourage creativity is fundamental.

Tracey Johnson – traceyjohnson@barnsley.gov.uk
Sector Specialist Creative and Digital Industries
Barnsley Development Agency – URBACT Partner

Green Paper on Cultural & Creative Industries: a lost opportunity?

Tuesday, October 26th, 2010

creatives_blogThe public consultation period about the Green Paper on Cultural & Creative Industries [“Unlocking the Potential of Cultural and Creative Industries”] made by DG Education and Culture was over last Summer. It is clear that Paper comes a bit late, when many EU cities and regions are displaying strategic visions and specific agendas in promoting creative industries, especially in UK, Portugal, Nordic Countries and in Central Europe.

The document is right in summarizing a range of basic statements, namely: the powerful linkage between cultural and creative industries and education; the promising role of CCIs in the new post-crisis productive model; underlining the connection to the digital economy and the EU digital agenda; ICT-based creative firms and professionals and its role in innovation diffusion; links to the EU strategy on intellectual property; or the cluster approach when addressing this kind of industries.

Nevertheless the Green Paper is clearly poor when proposing comprehensive guidelines to promote creative industries. For instance, it is not enough to demand a place-based approach. On this point the reaction by URBACT Creative Clusters submitted to DG Education and Culture has been focused in enhancing creative-based local strategies as an opportunity window particularly for middle-sized towns in intermediate region contexts, or as a way to re-think rural development nowadays.

Also the Paper is lack of considerations on the nature of the space of the creative class: meeting places, work-private life interactions, mix of uses in promoting creative districts and so on. And it shows an absence of fresh ideas related to specific financial support tools for creative entrepreneurs. Summarizing, in my view the document does not give a basic comprehensive and strategic framework for promoting creative clusters by regional and local governments. Anyway, let’s see how all the contributions submitted during the consultation period can revitalize a flat starting point.

Miguel Rivas
URBACT Creative Cluster Lead Expert

URBACT Creative Clusters in the European Forum on Cultural Industries in Barcelona

Wednesday, April 7th, 2010

efciThe Portuguese city of Óbidos and INTELI–Intelligence in Innovation Centre, respectively Lead Partner and full partner of the URBACT network on Creative Clusters, were invited to attend the European Forum on Cultural Industries that took place in 29-30 March 2010, in Barcelona. The objective of the event was to discuss the importance of cultural industries within the framework of the Spanish Presidency of the European Union. There were also presented the general lines of the Green Paper on Cultural and Creative Industries.
The forum was structured around five key lines of discussion: the financing of the cultural industries; the professionals of the cultural industries (new skills derived from the digital mutation, training challenges, mobility of talent); internationalisation (local production in global markets, internationalisation and cooperation strategies); intellectual property and the management of rights; and spatial development (the role of cities as pro-active frameworks for local creative clusters).
The Mayor of Óbidos, Telmo Faria, presented a communication on the so-called Creative Óbidos strategy in the framework of the URBACT Creative Clusters Network in the session dedicated to “Culture in the European Local and Regional Development programmes”.
In the closing session the Ministers of Culture of Portugal, Spain, Finland, French Community of Belgium and the Minister of State of the Federal Chancellor, Federal Government Commissioner for Culture and the Media of Germany presented their views on the development of the European cultural industries. The European Commissioner for Education and Culture, Androulla Vassiliou, emphasised the excellent example of the Town of Óbidos in the framework of the development of culture and creativity-oriented policies.
The informal meeting of Ministers of Culture of the EU took take place after the Forum, on the 31st March 2010.

Catarina Selada – INTELI